It is a tool I have no intention of getting rid of. I have used it on occasion for Bass direct in with great results under some circumstances. It has some very nice compression capabilities. The preamp and converters are not for everything just as few pieces of equipment are for all purposes. Plugged into my PowerBook it has worked without a glitch. Really makes you appreciate the subtle simplicity and realtive "purity" of the MiniMe. The noise, the lack of "focus" and the floppy definition in the low end on the MW - I'm sure going through all those extra paths didn't help, but geez. The difference in those (MiniMe's) preamps vs. I had just recorded a chamber string ensemble in the same room with the same rig (sans the Mix Wizard, and using the MinMe's preamps, of course) just a few days earlier. It actually sounded surprisingly good in the end, but wow. So, AHMW matrix out into the MinMe's line in, into the laptop. If I could only have thought of ways to make the recording more noisy. On top of that (long story) I had to use the Matrix out - which meant using the subgroups also and assinging a subgroup mix to the matrix out.
#Mini motu vs mini motrix plus#
Instead, I had to run the mics PLUS mic the piano into (hold on to your hat) an Allen Heath Mix Wizard. I was all set to have that lid off to get that wonderful sounding piano into that stereo pair just 10 feet away (as I've done so many times before at that facility). The pianist wanted to keep the lid ON the grand - Just downstage of the conductor. And then, the worst thing in the world happened. I had my Solaris (yes, the M-Audio Solaris mics - If you haven't tried 'em, don't knock 'em) pair about 8 feet over the conductor's head lined up with the first row of strings in an eyballed ORTF (the usual). Sound quality wasn't "much of an issue" as long as it was reasonably clear. Sidenote: I had to do an orchestral archival recording last week. It just sort of fell into that purpose.īut once I got it all worked out, it runs like a champ. It's a fairly new laptop, but I really didn't get it for recording purposes. And I tell ya', it wasn't easy to get it to run properly for some reason. Wishful thinking, I know, but wouldn't that be something?īy the way John, do you use the USB option to link up to your laptop?īy the way John, do you use the USB option to link up to your laptop?Yep. I only wish Apogee would make the Mini-Me Mk 2, with the sound quality of the 16x-series, and add another two digital soundstreams (like the Metric Halo ULN-2 does) to enable stereo recording of instruments (piano or guitar for instance) + vocal simultaniously. Good to see someone used to working with high-end gear give the thumbs up to that wonderful little piece.Įxtremely versatile, with no-latency monitoring for sound on sound needs, in addition to all the other features mentioned. But again, that's exactly what I'm looking for a lot of the time.Īnd for a preamp AND converter? It's got a bang-for-the-buck factor or around 9.6. Ha!).Īnd I have to disagree with the "bloated" (?) comment on the preamps also - If anything, I'd almost consider them too "real" sounding - Almost void of a specific personality. But the tradeoff would be minimal (MINImal. I suppose if it was really critical, sure - I'd start ripping stuff out of the racks. I have better gear - But for the purpose, I'm totally satisfied with the Mini's performance. See the M4 Below.Ĥ.I do quite a bit of on-location orchestral tracking - My latest (and so far, favorite) rig is my Mini-Me into my laptop. This may not be a deal-breaker for you though and if you really want this feature then the M4 model does include this feature. One feature I wish they had added to the M2, however, is a mix dial for the mix between zero-latency monitoring and computer playback. Other positives about this interface are that it has phantom power on/off buttons and zero-latency monitoring for both input channels. Then we have the latency, which is hands-down the best latency performance on any interface sub $500.Īnother great feature of the MOTU M2 is the meters, you actually have proper meters on this interface, rather than the ring or LED peak lights that you normally get on the lower budget audio interfaces. The preamps are excellent, giving you +60dB of gain, which enables you to use the Shure SM7B, even if you’re a quiet singer. The MOTU M2 is one of the best entry-level interfaces on the market.
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